Ryosuke Toyama

Ryosuke Toyama
Ryosuke Toyama

Ryosuke Toyama

B. in 1980, Tokyo
Currently based in kyoto, Japan

Ryosuke Toyama, is an experimental photographer deeply committed to exploring the nature of time, light, and human creativity. Grounded in classical photographic techniques, his work resists the disposability of the digital image era by reviving handcrafted methods such as calotypes, ambrotypes, and camera obscura installations.

 

As AI rapidly transforms creative fields, Toyama finds himself in a moment that echoes the 19th century—when painters were first confronted by the invention of photography. Just as those artists were compelled to redefine the role of painting, today’s creators face similar questions about the meaning and value of human-made work. Rather than resist this shift, Toyama quietly searches for expressions that remain uniquely human—subtle, irreplaceable, and beyond replication—continually probing the boundaries of what photography can be, and what only it can express in human hands.

 

This pursuit led to the invention of Tempusgraph, a photographic technique Toyama developed to capture the continuous flow of time on a single surface. Rather than freezing a single moment, Tempusgraph visualizes time as a seamless stream — where past, present, and future coalesce in a single frame. He applies this approach to projects such as his yearlong series 24 Solar Terms, inspired by the ancient rhythms of nature and Japan’s subtle seasonal shifts.

 

Toyama’s work is not just about image-making but about crafting objects of enduring presence — works that stand as both physical artifacts and poetic expressions of time. With each piece, he invites viewers to reflect on their connection to the natural world, to history, and to the generations yet to come.

  • /Education
  • /Selected Exhibition
  • /Publication
  • Education

    2006.  Joined Daikanyama Photo studio, Tokyo

     

    2003.
    / Graduated from Chuo University, Tokyo
    / Joined Taiyo Kikaku Co.,Ltd, Tokyo

  • Selected Exhibition

    2023.
    / 'Inversion to spiral', Kodokan Forest of crafts, Kyoto
    / 'Living Photography', KYOTOPHONIE,Amanohashidate,Kyoto

     

    2022./ 'Leading Light-Cherry blossoms are not only wonderful in full bloom', Tata book shop,Tokyo, Seikosha book shop, Kyoto

     

    2021.
    / 'Portrait de chaussures', J.M.WESTON Aoyama, Tokyo
    / 'The Long Tunnel', KG+ Sanjoryogae bldg., Kyoto

     

    2020. 'Leading Light', KYOTOGRAPHIE, Kennin-ji Ryosokuin, Kyoto

     

    2019.
    / 'Leading Light', Kitasenju BUoY, Tokyo
    / 'Craft/Symbiosis/Sight', Marugoto Museum, Myokaku-ji, Kyoto

     

    2017. 'Journey,Light and Cherry blossoms', Roppongi Basecamp, Tokyo

  • Publication

    Leading Light - Cherry blossoms are not only wonderful in full bloom - essays in Japanese with photograph, 'NEUTRAL COLORS'

アート画像

20242025_4season, 2025
Type C Print
H 100 W 122 cm(quadtych)

アート画像

202503201432, 2025
Type C print
H 95 W 79 cm

アート画像

202504141134, 2025
Type C print
H 95 W 79 cm

アート画像

202412211557, 2025
Type C Print
H 27 W 22 cm

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